OPEN SCORE

Since his Met debut in 2009 conducting Bizet’s Carmen, Yannick Nézet-Séguin has become one of the Met’s most popular and accomplished artists, beloved by audiences, singers, orchestra musicians, and staff for his superior musical gifts and all-around good vibes. With the start of the 2018–19 season, he becomes a central part of the company, taking on the role of the Met’s Jeanette Lerman-Neubauer Music Director, an appointment that has the opera world buzzing with excitement. Can Nézet-Séguin really be as affable, open-hearted, and collaborative as he seems? As friends, family, and colleagues all say about the maestro from Montreal, what you see is what you get.

THE METROPOLITAN OPERA

“For once, in New York, standing ovation was genuinely earned.”

M. Bernheimer, Financial Times